Stanford University, Visiting Scholar at the Center for Computer Research in Music and Acoustics, (CCRMA), Stanford, CA, 2001-02
Stony Brook University, Stony Brook, NY, Ph.D. Music / Composition, 2001
Yale School of Music, New Haven, CT, MM. Music / Composition, 1993
New England Conservatory of Music, Boston, MA, B.A. Music / Composition, 1981
Composition
Stony Brook University, Daniel Weymouth, Daria Semegen; Sheila Silver
Yale School of Music, Betsy Jolas, Jacob Druckman, Lukas Foss, Marlos Nobre, Martin Bresnick
New England Conservatory of Music, Malcolm Peyton, Robert Ceely
Salzburg, Austria, Erik Christian Hennrickson
Voice
New York, NY, Neil Semer
New York, NY, Elaine Bonazzi
Yale School of Music, Lili Chookasian
Piano
Piano, University of Oregon, Marlene Thal
Flute
Flute, New England Conservatory of Music, Claude Monteux
Vocal Music of India
Boston, MA, Pt. Balwant Rai Bhatt from Benares, India
Ethnomusicology
Cross-cultural studies of the nature of vocal timbre, Vocal polyphony of two African forest communities; the Mbuti of Zaire and the Biaka of the Central African Republic, Stony Brook University, Jane Sugarman; research papers: “Persian Classical Music”, and “The Condition of Women in India”, New England Conservatory of Music, Peter Row
Commission from Chris Chafe, (Director of the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University and the Shenson Fund, to compose Being Peace, for two sopranos, celleto, and piano; premiered at the Third World Youth Buddhism Symposium (on“Sustainability and Development”), The Hong Kong Institute of Education, Tai Po, Hong Kong, 2013
The Judith Lang Zaimont Prize in Composition for Ridge of Blue Longing, for two pianos, awarded by the International Alliance for Women in Music (IAWM), 2011
Dissertation Fellowship, Composition, SUNY at Stony Brook, 1998
Artist in Residence, Composition, Banff Center for the Arts, Banff, Alberta, Canada, 1992
The Bradley-Keeler Memorial Award to Outstanding Major in Composition, Yale University School of Music, New Haven, CT, 1991-1993
Interdisciplinary Arts Fellowship, National Endowment for the Arts/Interarts and Rockefeller Foundation, 1987
Individual Artists Grant, Bureau of Cultural Affairs, Atlanta, GA, 1985 / 1987
Visiting Two Year Assistant Professor, School of Performing Arts, Music, Virginia Tech: classes taught: Survey of Music, Sight Singing Lab, Online Music Appreciation, First Year Experience (SOPA), Theory Fundamentals, Class Applied Voice, Independent Study in Jazz Improvisation and Composition, Independent Study in Sight Singing and Ear Training
Adjunct Assistant Professor, School of Music, College of Visual and Performing Arts, University of Montana; classes taught: Composition (UG), Composers Workshop (UG), Women in Music (UG), Psychology of Music (G-Online Class), Analytical Techniques (G-Online Class), Aural Perception (UG), individual composition lessons; Missoula, MT, 2009-2013
Wilderness and Civilization Institute, University of Montana, Sound in the Natural World, 2012, 2013
Instructor, Osher Lifelong Learning Institute at UM (50+) (MOLLI), Creativity and the Natural World, Missoula, MT, 2010, 2011; The Creative Process – Finding Your Spark, 2013
Composition and Improvisation, Music Theory and Ear Training, University of Montana Piano Camp, Missoula, MT, 2006-
Teaching Assistant to Joseph Auner and Mary Ann Smart, Music Appreciation (UG), Music Department, Stony Brook University, Stony Brook, NY, 1995-1996
Ear Training and Sight Singing, and Music Theory (UG), Music Department, Stony Brook University, Stony Brook, NY, 1993-1995
Teaching Assistant to Jacob Druckman, Orchestration (G), Yale School of Music, New Haven, CT, 1991-1993
Teaching Assistant to Betsy Jolas, Music from 1945 – the Present (G); Debussy’s Pelleas and Melisande, (G), Yale School of Music, New Haven, CT, 1992-1993
Quizzical Circles, for two violins, performed by Nicole Paglialonga and Bonnie Deeds, 2015
Fire of Spirit, for sung voice, spoken voice, cello, and piano, performed by Lee Heuermann, Patricia Raun, Alan Weinstein, and Richard Masters, The Cube, Moss Arts Center, Virginia Tech, Blacksburg, VA, 2014
Imagining the Universe Concert, telematic concert of improvisation in honor of Khenpo Sodargye Rinpoche, between Virginia Tech (Lee Heuermann, Patricia Raun, Alan Weinstein, Richard Masters, and Ico Bukovic), Stanford University (Chris Chafe, Cecilia Wu), UC Santa Barbara (Matt Wright) and U of Mexico Guanajuato (Roberto Morales Manzanares), The Cube, Moss Arts Center, Virginia Tech, Blacksburg, VA, 2014
Being Peace, for two sopranos, celleto, and piano, performed by Chris Chafe, Cecilia Wu and myself, the Third World Youth Buddhism Symposium (on “Sustainability and Development”), The Hong Kong Institute of Education, Tai Po, Hong Kong, 2013
Floating Feather Band, selected compositions and improvisations, founder of this composer/performer collective involving musicians from Stanford (Chris Chafe), Queensland Conservatorium, Brisbane, Australia (Vanessa Tomlinson and Erik Griswold of Clocked Out Duo), and University of Montana (Scot Ray, MJ Williams and myself), the University of Montana, 2012
A Lesson in American History, a song cycle based on the life of Alice Paul, American Suffragist, text by Prageeta Sharma, slide presentation by Valerie Hedquist, for soprano, piano, and bowed piano, The University of Montana, Missoula, MT, 2012
Meditations on Love, for two dancers, voice and piano, in collaboration with Amy Ragsdale and Molly Stark-Ragsdale, Missoula Children’s Theater, Missoula, MT 2012
Sounds from the Big Sky, for Wind Ensemble, composed for the Big Sky High School Wind Ensemble for the Missoula County Public Schools, Missoula, MT, 2012
Montana Suite: 100 Miles From Forsyth, for guitar, cello, voice, and percussion, composed and performed for Headwaters Dance Company, in collaboration with choreographer, Donna Uchizono, Missoula Children’s Theater, Missoula MT, 2009
Yemanja’s Kitchen, for voice, piano, alto saxophone, guitar, bass, and drums, performed by Lee Heuermann, voice and piano, Johan Eriksson, alto saxophone, David Horgan, guitar, Beth Lo, bass, and Robert LedBetter, percussion, Fusion Concert, University Theater, UM, Missoula, MT 2009
Ridge of Blue Longing, for two pianos, commissioned Montana State Composer by the Montana Music Teachers Association (MMTA), received the Judith Lang Zaimont Prize in Composition awarded by the International Alliance for Women in Music (IAWM), 2011; performed by Christopher Hahn and Dorothy Peterson, annual state MMTA Conference, Great Falls, MT, 2008, U of M, Missoula, MT, 2009, The Hildegard Festival, performed by Christopher Hahn and Lydia Brown, UM, Missoula, MT, 2010
Composed and performed music for voice and processed sounds for a film by choreographer Christy Ann Brown, Missoula Dance In Film Festival, Crystal Theater, Missoula, MT, 2005
What If…And Then?, composed and performed music for MO-TRANS Dance Company, choreographed by Amy Ragsdale, collaborated with Matthew Marsalek, UM, Missoula, MT, 2003
At The Moment – An Improvisation, performed music for MO-TRANS Dance Company, in collaboration with Amy Ragsdale, Matthew Marsalek, and dancers, UM, Missoula, MT, 2003
Unplanned Events, improvisation for dancers and voice, performed by Amy Ragsdale’s improvisation class and Lee Heuermann, Dance Showcase, UM, Missoula, MT, 2003
Come Slowly Eden, dramatic song cycle, text by Emily Dickinson, or coloratura soprano, spinto soprano, mezzo soprano, flute, alto flute, bass flute, English horn, oboe, oboe d’amore, trombone, two violins, viola, cello, bass, piano, and bowed piano, 2001; performed by Kristin Norderval, Teresa Blume, Alexandra Montano, chamber ensemble at Stony Brook, conducted by Christine Myers, The Women’s Composer’s Concert, Staller Center, Stony Brook University, NY, 2002
Performance of excerpts by Kimberly James and Alison Slade, voice, Margaret Baldridge, violin, and Fern Glass-Boyd, cello, Society of Composers Region VIII Conference, UM, Missoula, MT, 2005
Ringdoves Scattered, solo improvisation for processed voice and piano, text by Rumi, performed by Lee Heuermann, Composer’s Showcase, UM, Missoula, MT, 2002
Go Traveling With Us, MIDI violin and soprano, text by Emily Dickinson, 1996, The Society of Composers Region VIII Conference, UM, Missoula, MT, 1998
Women and Music Technology Conference, Agnes Scott College, Atlanta, GA, 2000
Traveling, for trombone, voice and piano, improvisation by Lee Heuermann, voice and piano, and Julie Josephson, trombone, The Women’s Composer’s Concert, Stony Brook University, NY, 1996
Cut / Unite, Cabaret / Performance Art piece for trombone, piano, soprano, and percussion, performed by Lee Heuermann, piano and soprano, Julie Josephson, trombone, and Paul Carroll percussion, Staller Center, Stony Brook University, NY, 1995
Inside Orbit, bass clarinet, performed by Michael Lowenstern, Staller Center, Stony Brook University, NY, 1995
Trio for Four Players, piano, violin, cello, and bowed piano, Staller Center, Stony Brook University, NY, 1993
Inside House Outside In, string orchestra, Banff Center for the Arts, Banff, Alberta, Canada, 1992; New Music New Haven, Yale University, New Haven, CT, 1993 Light Is Flung Back, three female voices, string quintet, piano, bowed piano, water gong, text by Cesare Pavese, performed by Lee Heuermann et al, New Music New Haven, Yale University, New Haven, CT, 1992
On the Breath, Ondes Martenot, soprano, silent person, string quartet, vocal quartet (two males, two females), bowed cymbal, Korean gongs, water gong, percussion, performed by Lee Heuermann et al, The High Museum of Art, Atlanta, GA, 1990; The International Women in Music Festival, Georgia State University, Atlanta, GA, 1990
Water Murders, play by Bradford Riley, composed score, vocalist, and flutist, Georgia Technical University, Atlanta, GA, 1990
Wearing Water / Eating Cement (Icons to Kiss), installation / performance in collaboration with Elizabeth Lide, visual artist, performed by Lee Heuermann, Elizabeth Lide, Sam Hagan, and Paul Kayhart, Nexus Gallery, Atlanta, GA, 1988
Babe, I’m Gonna Leave You, piano and voice, performed by Lee Heuermann, The Quantum Production Jazz Series, Atlanta, GA, 1985; with Celeste Miller (dancer) Nexus Theater, Atlanta, GA, 1985
Faust, by Goethe, composed score in collaboration with Chip Epsten, musical director and musician, Seven Stages Theater, Atlanta, GA, 1982
Conflict / Dialogue, flute and piano, New England Conservatory of Music, Boston, MA, 1981; performed by Robert Aitken, Banff Center for the Arts, Banff, Alberta, Canada, 1992; performed by Margaret Schuberg and Barbara Blegen, UM, Missoula, MT
On This River, mezzo soprano, baritone, clarinet, viola, cello, and piano, New England Conservatory of Music, Boston, MA, 1979
Stories To Be Told, play by Osvaldo Dragun, composed score, musical director and musician, The University of Oregon Theater Department, Eugene, OR, 1978
Mother Courage, play by Bertolt Brecht, composed score in collaboration with Craig Rafuse, musical director and musician, The University of Oregon Theater Department, Eugene, OR, 1977; Seven Stages Theater, Atlanta, GA, 1981
The Exception and the Rule, play by Bertolt Brecht, composed score, musical director and musician, The People’s Theater of Atlanta, Atlanta, GA, 1976
Om Kaleidascope, composing a third piece to accompany Being Peace and Fire of Spirit, for Chris Chafe, Cecilia Wu, myself, and chorus
Voices from the Undergloom, collaborating as a composer and actor to create a multimedia performance piece on issues of race and gender identity, based on the poetry of Prageeta Sharma
Being Peace and the Power of the Voice
explores using the voice as a vehicle for non-violent change, and focuses on the work of Hildegard von Bingen (German Christian mystic composer, 12th Century), Yeshe Tsogyal (first female Tibetan “monk”, 8th Century), Ani Choying Drolma (Nepal) and Sister Helen Prejean (US), was guest speaker at the 3rd World Youth Buddhism Symposium, The Hong Kong Institute of Education, Tai Po, Hong Kong, 2013; The Imagining the Universe Concert, The Cube, Moss Arts Center, Virginia Tech, Blacksburg, VA, 2014
Researching the nature of vocal timbre cross-culturally, Visiting Scholar at Stanford University, Stanford, CA, 2001-02, research ongoing
Researched Chinese and American children’s emotional response to music with cognitive psychologist, Percy Tannenbaum (Professor Emeritus and former director of the Survey Research Center at Berkeley University), 1999-2000
Metallize, Liquefy, Vegetalize, Petrify, and Electrify the Voice: Extended Vocal Techniques in the Twentieth Century (focusing on collaborations of Luciano Berio, Karlheinz Stockhausen, and Meredith Monk), Stony Brook University, 1995
Center for Computer Research in Music and Acoustics, Stanford University, 1998
The Society of Composers Region VIII Conference, The University of Montana at Missoula, 1998; Women and Music Technology Conference, Agnes Scott College, Atlanta, GA, 2000
Music and Meaning in Nature: A Study of Gender Relations in Performance Among Two Forest Communities: the Mbuti of Zaire and the Biaka of the Central African Republic, Stony Brook University, 1994
Song Without Words, by Eric Lyon, performed with the Virginia Tech L2Ork Linus Laptop Orchestra at the Marginal Arts Festival, Roanoke, VA; Institute for Creativity, Arts and Technology ICAT DAY; DISIS Concert, The Cube, Moss Arts Center, Virginia Tech, Blacksburg, VA, 2014
The Floating Feather Band, founder – composer/performer collective, selected compositions and improvisations, the University of Montana, 2012
Yemanja’s Kitchen, founder of Brazilian jazz group, Magda Chaney & myself, voice, flute, and piano, Chuck Florence, clarinet, David Horgan and Tommy Pertis, guitars, Beth Lo, bass, Bob LedBetter, Campbell Youngblood-Peterson, and Andre Felipe, percussion, First Night, Missoula, MT, 2012, Missoula Cultural Council Awards Ceremony, World Rhythms Concert (U of M), Jazzoula, Missoula, MT, 2013
The Songs of Kurt Weill, performed by Lee Heuermann and Anne Basinski, University of Montana Vienna Program, Palais Corbeli, Vienna, Austria, UM, Missoula, MT, 2010
Hildegard Festival, soloist, The Celebrating Women Series of St. Patrick Hospital and Health Sciences Center, UM, Missoula, MT, 2010
Facade, narrator, by William Walton, the UM Contemporary Chamber Players, Missoula, MT, 2010
Resonations – United Nations Concert for Peace, vocal performance and improvisation with musicians at The Banff Center for the Arts and the UN in New York City, Banff, Canada, 2010
Reconciliation, performed piece by Samuel Adler (Guest Composer), Composer’s Showcase, UM, Missoula, MT 2009
Fusion Concert, performed original composition Yemanja’s Kitchen, for voice, piano, saxophone, guitar, bass and drums, University Theater, UM, Missoula, MT, 2009
Scattered, performed piece by Chris Chafe, (Guest Composer), for voice and computer, The Mountain Computer Music Festival, UM, Missoula, MT, 2009
Mythology: Songs on Texts by William F. van Wert, by Maurice Wright, performed by Lee Heuermann, soprano, and Dorothy Peterson, piano, Composer’s Showcase, UM, Missoula, MT 2008
Madrigals, Book 1, by George Crumb, performed by Lee Heuermann, soprano, Margaret Schuberg, flute, and Robert Ledbetter, percussion, Contemporary Chamber Players, UM, Missoula, MT 2007
Diameters, performed piece by Jonathan Berger (Guest Composer), for voice and computer, Composer’s Showcase, UM, Missoula, MT 2006
Double, Double…, by Deborah Kavasch, for three sopranos, performed by Lee Heuermann, Alison Slade, and Deborah Kavasch, the Society of Composers Region VIII Conference, UM, Missoula, MT, 2005
Montana Suite, by Charles Nichols, performed by Lee Heuermann, voice, Margaret Baldridge, violin, Maxine Ramey, clarinet, Christopher Hahn, piano, Headwaters Dance Company, Missoula Children’s Theater, Missoula, MT, 2005
Eric Hung in Recital, with Lee Heuermann and Charles Nichols, violin, Westminster Choir College, Princeton, NJ, 2005
Pierrot Lunaire: Part 3, by Arnold Schoenberg, The Pierrot Concert, guest vocal artist, performed with Margaret Baldridge, violin, Fern Glass-Boyd, cello, Margaret Schuberg flute, Maxine Ramey, clarinet, Juliet Preston, piano, Eric Hung, conductor, The UM New Music Ensemble, Missoula, MT, 2004
Mirabai Songs by John Harbison, guest vocal artist, performed with Eric Hung, piano, The UM New Music Ensemble, Missoula, MT, 2003
Vocalise, by Henry Cowell, performed by Lee Heuermann, Margaret Schuberg, flute, and Eric Hung, piano, UM, Missoula, MT, 2003
Songs by Kurt Weill, performed by Lee Heuermann and Eric Hung, piano, The UM New Music Ensemble, Missoula, MT, 2002; performed with Audrey Andrist, piano, Banff Center for the Arts, Banff, Alberta, Canada, 1992; The Goethe Institute and The Alliance Francaise, Atlanta, GA, 1988
Epithalamion, by Charles Nichols, for violin and soprano, performed by Lee Heuermann and Charles Nichols, violin, Palo Alto, CA, 1999
The Babel Project, CD, compositions by Roger Doyle, voice on The Stairwell, performed by Lee Heuermann, 1999
For A Birthday, by Mark Howell, for MIDI-violin and voice, text by David Rattray, performed by Painted Carp: Lee Heuermann, voice and Charles Nichols, MIDIviolin, Mixed Messages New Music Festival, Context Studios, New York, NY, 1996
The Fire, by Douglas Knehans, for MIDI-violin and soprano, performed by Painted Carp: Lee Heuermann and Charles Nichols, The Center For Studies In Computer Technology, Yale University, New Haven, CT, 1996, The Fourth Annual International New Music Festival, University of San Diego, San Diego, CA, 1997, Computer Music Concert, Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Stanford, CA, 1997
Last Resort, for piano / prepared piano and soprano, by Susan McDonald, performed by Lee Heuermann, soprano and Simon Docking, piano, Stony Brook University, NY, 1995
Stasis, by Charles Nichols, for MIDI-violin, soprano, and computer, performed by Painted Carp: Lee Heuermann and Charles Nichols, Yale University, New Haven, CT, 1994; Tamworth Music Festival, Tamworth, NH, 1994; Staller Center, Stony Brook University, NY, 1995
Une Seule Femme Endormie, for amplified cello and soprano, by Douglas Knehans, performed by Lee Heuermann, soprano and Shauna Rolston, cello, 1993, and with Jeffrey Krieger, cello, New Music New Haven, Yale University, New Haven, CT, 1996
Multitudinous Verses, for computer and soprano, by Belinda Reynolds, performed by Lee Heuermann, soprano and Belinda Reynolds, computer, Yale University, New Haven, CT, 1993
Vocal Recital, Yale University, New Haven, CT, 1993
The Big City Jazz Quartet, pianist and vocalist, Atlanta, GA 1988-1990
Lanvester Jackson and the Voice of Reason, vocalist with Afro-American gospel choir, Atlanta, GA, 1988-1990
The Spelman Women’s Jazz Orchestra, alto saxophone, Atlanta, GA 1983-1986
Yemanja, Brazilian jazz group, vocalist and flutist, with Jaques Morelenbaum, cello, Junno Homrich, percussion, Michele Feldheim, piano, and Abby Rabinowitz, flute; performed throughout Boston and the New England area, 1978-1981
Spring Awakening, musical director and conductor, musical by Sater & Sheik, based on play by Frank Wedekind, Virginia Tech School of Performing Arts, 2014
Blood Wedding, vocal coach, play by Lorca, music by Peter Winkler, Stony Brook University Theater Department, NY, 1996
Tingle Tangle / Ein Kabarett, performed with Sirone and Veronika Nowag-Jones, The Goethe Institute, Atlanta, GA, 1989
Foodfright, musical director and actress, Nexus Theater, Atlanta, GA, 1986
Lust Into Small Change, a one-woman cabaret show, music of Piaf and Brecht / Weill, by Lee Heuermann and Joseph Cullen, performed by Lee Heuermann with Rodger French, accordion and percussion, and Walter Limehouse, piano, directed by Lesly Fredman, Nexus Theater, Atlanta, GA, 1985
The Glass Dream, Blue Night, Hangman, and other works by Janie Geiser and Chip Epsten of The Jottay Theater, musician and narrator, The Center for Puppetry Arts, Atlanta, GA, 1983-1985; The Jottay Touring Company, PS 122, New York, NY; The Painted Bride, Philadelphia, PA, 1985, The International Puppetry Festival, Dresden, East Germany, 1984
The Three Penny Opera, opera by Brecht / Weill, played Jenny, Seven Stages Theater, Atlanta, GA, 1982
The Sisters of No Mercy, musical/choral director, composer/arranger, and actress with theatrical troupe that produced and performed original works concerning women’s issues, Atlanta, GA, 1981-1985
Shadows – A Dream Opera, actress and musician, Academy Theater, Atlanta, GA, 1972
Cayambis Music Press, publisher of music from Latin America, member of the board and reviewer of compositions, Blacksburg, VA, 2013 –
Guest Lecturer on American Jazz for visiting Chinese students, The Mansfield Center, UM, Missoula, MT 2012
Guest Lecturer on Jeanne d’Arc au Bucher by Arthur Honegger for the French Literature Department, UM, Missoula, MT, 2012
Composition Workshop for the Missoula County Public Schools Fine Arts Department for Big Sky High School, Missoula, MT, 2012
Guest Lecturer, on Hildegard of Bingen for The Hildegard Festival, UM, Missoula, MT, 2010
Songwriting Workshop for Missoula County Public Schools Gifted Ed Conference “Discover Your Future”, University of MT, 2009, 2010
Adjudicator for Idaho Music Teacher’s Association composition competition, 2005
Guest Composer, Composer’s Showcase (performer, lecturer, and adjudicator), UM, Missoula, MT, 2002
Music Library, Stanford University, 2001-02
Co-Founder of Painted Carp, an electro-acoustic duo committed to the commissioning and performance of new music, for processed voice and MIDI violin, with Charles Nichols, 1994-
Research and Transcriptions of World Folk Music for Jacob Druckman, for his composition for the inauguration of the European Economic Community, 1991-1992
Music Library, Yale University, 1991-1993
Christ Episcopal Church choir, soprano soloist, New Haven, CT, 1991-1993
Co-Founder of Nocturne, a group of musicians, actors, directors, writers, poets, and dancers, who met regularly to share work, Atlanta, GA, 1983-87
Member of the International Alliance for Women in Music (IAWM) 2004, 2011-
Member of the College Music Society (CMS), 2005-
Member of the Society of Composers, Inc. (SCI), 2005-
Member of American Society of Composers, Authors, and Publishers (ASCAP), 2003-
Member of Montana Music Teachers Association (MMTA) and National Music Teachers
Association (NMTA), 2004-
Private lessons in voice, composition, improvisation, piano, flute, alto saxophone, guitar and music theory / ear-training, Missoula, MT, 2002-, Sunnyvale, CA, 1997-2002, Atlanta, GA, 1981-1991
Music classes for 6, 7, & 8th graders, Sussex School, Missoula, MT, 2002-03
Music, Boston Public Schools, The New England Conservatory Community Services Department, Boston, MA, 1980-1981
Piano, Eva Angermeyer-Lechner, Salzburg, Austria
Alto Saxophone, Joseph Jennings, Atlanta, GA
Theater, Academy Theater, Seven Stages Theater, Theater On The Prowl, Atlanta, Georgia
Alexander Technique, Jane Kasdan Shelton, Atlanta Georgia
Buddhist Meditation and Mindfulness Training in group retreat, with Vietnamese monk, Thich Nhat Hanh, Estes Park, CO, 2007
German, French, some understanding of Italian, Dutch, Portuguese, and Yiddish
Chris Chafe – cc@ccrma.stanford.edu, (650) 723-4971 ext. 305, Director of the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University
Stephen Kalm – Stephen.kalm@umontana.edu, (406) 243-4970, Dean, The College of Visual and Performing Arts, The University of Montana, Missoula, MT
Jonathan Berger – brg@ccrma.stanford.edu, (650) 723-4971 ext. 301, composer, Professor, Center for Computer Research in Music and Acoustics (CCRMA), Stanford University
Patricia Raun – praun@vt.edu, (540) 231-4204, Director, School of Performing Arts, Virginia Tech, Blacksburg, VA
Kent Holliday – kh123654@vt.edu, (540) 231-8500, Professor of Piano and Composition, School of Performing Arts, Virginia Tech, Blacksburg, VA
Tom Bensen – mcc@missoulacultural.org, (406) 541-0860, Director of The Missoula Cultural Council, Missoula, MT
Daria Semegen – Daria.Semegen@stonybrook.edu, (631) 632-7330, composer, Associate Professor of Composition, Director of Electronic Music Studio,
Department of Music, Stony Brook University
Peter Row – Peter.row@necmusic.edu, (617) 585-1381, Professor of Music History and Musicology, and Contemporary Improvisation, New England Conservatory of Music